Sunday, September 10, 2006
Et tu?
I finished it last week and it was a positive experience (that's all I'll say for now).
Monday, August 28, 2006
Peter Continued?
I've seen the Dave Barry prequel books, but haven't read them. I'm pretty snobby about follow-ups that are NOT written by the original author.
Sunday, August 27, 2006
Crossover
Do adults feel embarrassed looking at books in the children's section? I always figured they could pretend to look at something for a daughter/son or niece, etc. I never felt bad about it.
Tuesday, August 22, 2006
For next month -
Random House set up an impressive website with excerpts and downloads and links to both authors' websites.
I hope people are still reading Wrecked. Please add your comments to the discussion entry below or begin a new one. And add a couple titles to the Wish List if you have ideas. I'm going to try and find some paperbacks, which should be easier to track down.
Tuesday, August 15, 2006
Wrecked
The only other E.R. Frank book I've read is America -- has anyone else read her other stuff? That was a harsh story. Wrecked struck me (ooh, bad pun) as incredibly sad. I cried a lot.
This blurb leans towards the Reader's Response form of criticism, with lots of personal info thrown in, just an FYI.
Anna's relationship with her parents is fragile. She has little to no meaningful interaction with her mother and her dad has anger/control/fear issues. The brother-sister relationship between Anna and Jack has had its ups and downs, as you do when you get older and just don't pick on each other all the time, instead seeing the other as a person. Frank shows these with lots of flashbacks; I thought they were done well and did not seem forced.
This was a hard book for me to read. I liked it, I liked Anna, I liked Ellen. The hospital scenes with Ellen freaked me out. Her collapsed lung and breathing tubes were too much like my mom's; even the name was the same.
And her father's anger -- his need to control; his insistence that his children recognize that they are wrong and he is right; his obsession that things be done his way, even when it is ridiculous, such as picking up leaves by hand. I know what it is like to be on the receiving end of that. Those parts of the book were disturbing to me and very real, even though my dad isn't quite like that anymore.
The family situation becomes unbearable when Anna has the accident. That's the tipping point, that throws it all out into the open and Anna starts to crumble.
Therapy was not a quick fix. Frank knows what she is doing with that; if you read the flap copy, it explains Frank is a clinical social worker and psychotherapist who focuses on trauma.
I don't know if this book resonated with me because of my mom's recent death and the similarities between my dad and Anna's. The final page did not satisfy me -- yes, we know there is still progress to be made, but it didn't fit. Seemed tacked on. I wanted the dad to leave.
The silence of the stopped scream -- poetic and terrifying.
Friday, August 04, 2006
It is time!
Thursday, July 20, 2006
Nothing New
Nonetheless, I did want to post that Locus had a whole young adult fiction issue in May. I'll have to buy it once I have a Texas address; it looks pretty good.
Also, I love Roger Sutton's comment about The Giving Tree in a recent blog entry.
Tuesday, June 27, 2006
Hooray for Miss Libby!
Take a looky-look! I don't remember who took Publishing in the fall of '03, but Alisa Libby was a demure presence among the rather whiney new recruits. She's been working away on Blood Confessions, and when I last saw her on the T, she had the first color-cover galleys.
Just a lil cheerleading for one of our Simmons alumn! Who's next, ladies?
Monday, June 26, 2006
WHOOPS
I lost all the comments from that last poll when I tried to set up a new poll. Here's what we are gonna do:
Vote by comment. Makes it public, but also keeps the site from eating itself. Hopefully this will not be a problem for long.
Burning City by Ariel and Joaquin Dorfman
A Room on Lorelei Street by Mary E. Pearson
Wrecked by E. R. Frank
Sorry -- I couldn't make it work otherwise. I'll rescue the previous comments and add them.
Monday, June 19, 2006
Grind those gears, Shawn!
Wow. That's my impression of this book. I felt it extremely strongly within the first ten pages, twenty pages, thirty pages—and even at the end, I'm still thinking "wow" (although a little less strongly). This entire premise is fascinating to me. I loved Shawn—his voice, his personality, his honesty, his earnestness—and I loved being in his mind (especially since no one else ever is or could be).
It's so wonderful to think about Shawn being a secret genius, being so with it inside, being so aware and alert, but it's also so sad, to think that no one will know, no one will know him, no one can hear what he wants to say.
The debate of the book—is Shawn's life worth living—is so conflicting and confusing for me to wrap my head around. I love that Shawn likes his life, that he's happy, that he wants to live and doesn't want to die. But I also agree with the dad that Shawn is trapped inside his own body. Because I believe that when you die, it's not the end of you (wait, this isn't going to turn into a religious hedgehogs v. nonreligious hedgehogs argument, is it? KIDDING), part of me really does think that Shawn would be better off dying and being able to be free, fly and soar like he does during his seizures, all the time. He could communicate and have people know him, and he could really be the Shawn that we saw through his narrative. [Obviously we have different versions, if any, of an afterlife, and I'm just imagining mine.] Am I a horrible person for thinking that? Mind you, it's not that I think Shawn's father should kill him. I just can't help but wonder if Shawn would be better off in another world, in another time. He think he's happy now, but I think he could be happier. It's a moot point, since he isn't in another world or another time and he's living life here, but it's still really difficult for me to process, his quality of life and his happiness.
I don't think Shawn's father does or will go through with it. I think he's torn and conflicted, but I don't think he will ever resolve that enough to actually go through with it. It's like Trueman says in the author's note: "I can't say 'yes' to any of these questions. But I can't say 'no' either." And I don't think Shawn's father would go through with it if he can only answer "I don't know." I'm still trying to decide what I think of Shawn's father, though. I know he loves Shawn. But an absent father doesn't gain a whole lot in my mind, even with that.
Before I make any kind of excuses for what I've already written—controversy, controversy, controversy!—I'll stop. Thoughts?
Monday, May 22, 2006
Helloa!
June's book is Stuck in Neutral by Terry Trueman. It has been out for several years in paperback and won a Prinz honor so it should be easy to find or cheap to buy. Except in Alabama, of course.
I hope people's lives slow down a bit so they can read!
Thursday, May 18, 2006
Cause I`m the miggida miggida miggida Mac Daddy
Re: The Newbery Award Winning Book --
Good stuff!
I liked the sketches, photos and other visuals that were sprinkled in the story—not enough to be considered an illustrated novel, but they added another dimension. And you know those kids, always doodling on stuff.
I forgot about the wishing-on-a-star scene at the beginning until near the end. I liked the circular structure and found the ending to be satisfying, albeit unlikely. With all the narrative voices I thought some could have been more developed but the characters were well drawn. Some too perky at times.
Must read Perkins's other non-picturebook book, All Alone in the Universe.
Jump! Jump!
uh huh, uh huh
Monday, May 15, 2006
June Bug
Thank you to those who contribute to the Wish List! Please keep adding more!
Monday, April 17, 2006
Sandpiper, short take on
Oral sex is addressed without vulgarity, open and honestly, though I was a little surprised to have that in my face BOOM! so soon on page two. Piper is aware of her sexual power -- and how it changes her relationship with her dad, his inability to deal. I've never read that in a book before.
Piper's poems were believably from a teenager's pen and relevant. Not syrupy. I liked the nods to other poets.
The only thing that irked me were Derek's corny lines. The note he left: "It's your turn now, Sandy. See you soon!" He talks like a Soc from The Outsiders.
Monday, April 10, 2006
The dawnzer is a lamp. It gives lee light.
FYI: The children's library in Portland's Central Library (one of my favorite buildings) is dedicated to Cleary and there's a sculpture garden in Grant Park with Ramona, Henry Huggins and Ribsy.
What's your favorite Beverly Cleary book?
I've always loved Socks (because it's about a cat and I liked how they cleaned Socks up after his fight and forgot about their dumb baby for a while) (you see, I've NEVER been a baby person) but my favorite Ramona was always Ramona Quimby, Age 8 when she got a whole egg broken on her head. I still have all my old Dell Yearling paperbacks, $2.50 a pop.
Friday, April 07, 2006
May Announcement
The May book is Criss Cross by Lynne Rae Perkins.
BTW, I finished Looking for Alaska last night and added a comment on that post if you want to comment. If you are a commenting sort of person.
Tuesday, April 04, 2006
Looking for a movie?
Did I use "whom" correctly there?
Also, courtesy Bookslut.com, here's an article about sex in YA books. I sell lots of these books at work -- those young Southern Belles gotta get their info somewhere...
Tuesday, March 28, 2006
That time again
Among May's possible books is the 2005 Newbery Medal winner, Criss Cross.
Discussion for Sandpiper begins April 15th.
Thursday, March 16, 2006
Not So Much Looking For; Kind Of Obsessing About Alaska
1) I started out unimpressed with the writing, the characters, and the situation. I was bothered on page 1 by the phrasing of the sentence, "To say that I had low expectations would be to underestimate the matter dramatically," which I thought would be more accurately and stylishly rendered as, "To say that I had low expectations would be to dramatically overstate the case." And I immediately felt that the book was going to be a John Hughes-esque "problems of privileged white kid" book, which usually I don't mind too much but this time I could sense what felt like the narrator's pretension immediately, due to his obligatory Eccentric Trait* (memorizing last words). As an Eccentric Trait, I actually liked this one quite a lot, for dramatic purposes -- but I didn't buy that Miles had had this obsession for years and never thought about why.
2) I read on and felt mild interest in Alaska, the Colonel, and the cast of peripherals -- they seemed slightly annoyingly intellectual, mostly because they're seventeen and everything is dramatic and important and full of epiphany, but that's pretty realistic. I liked them ok. But then I finally noticed the countdown section headings, realized Alaska was going to die, realized that she was going to die WAY before the book ended, and instantly flashed forward to all of the scenes in which her (short, passionate, but ultimately ordinary) life would inevitably be infused with weight and import by her untimely and tragic death. I hate it when characters' lives are given import by their deaths. I am past the age when dying young seems romantic and incredibly significant. I am much more interested in what young people do and how they live when they're alive than how their peers react afterwards. And I could see at least 80 pages of reacting ahead of me.
3) I read on further, and at some point, perhaps 30 pages or so after Alaska's death, when I was fully resigned to reading the rest of the book and had gotten over being annoyed with its structure, something shifted and Miles and the Colonel and Takumi and Lara and even the Eagle started to grow on me. I think it's because they acknowledged that how they felt and what they thought about Alaska's death was not so much about her as about themselves, which was pretty honest and true and made me forgive them somewhat for being obsessed with analysing it (and everything).
Sorry, this is not really a discussy post. So I will end with an Interesting Question which occured to me while I was reading this. It is multiple-choice, which means everyone has a chance to be right! :-)
When you read YA fiction, is it:
a) A contemplative, nostalgic experience -- it makes you remember your adolescence and reflect on it.
b) A consuming, nostalgic experience -- it makes you plunge back into your adolescence and feel all those heady emotions over again.
c) A detached, universalizing experience -- "Boy, kids are dumb, and amusing," you think. "I was dumb and amusing then too, because being a teenager is always like that."
d) Other (please explain): ____________________________________________________________
I am sometimes a) but mostly c), I think. I have a hard time fully engaging with YA fiction these days because I'm far enough away from adolescence to see it as absurd, and not far enough away to really miss it. You?
* I didn't buy the Colonel's Eccentric Trait (memorizing countries, capitals, populations). It seemed forced and made-up.
Recommendations: YA books that are really long
Tuesday, February 28, 2006
The Final Reckoning
Tuesday, February 21, 2006
I had to share.
Monday, February 20, 2006
Friday, February 10, 2006
Thursday, February 09, 2006
Early Bird
I really enjoyed Will Weaver's writing, and I found Paul to be a very fully realized character whose journey is compelling. Yet this book sits uneasily with me, and I know it's because a thread of faith runs through it that I don't share. Is it possible that I cannot read a book suffused with religious belief without becoming uncomfortable? Is it because it's a contemporary book that I otherwise identify with in many ways? I am saddened by my difficulty with this book, and I think it comes from external sources. I feel uncomfortable with the direction religious conservatism is taking this country at the moment, and that's filtering through to my experience with "Full Service," which I don't think would have made me so uneasy if I'd read it several years ago. It's the same feeling I get when I see the American flag on bumperstickers -- it's a symbol that's become corrupted and that I can't perceive on its own terms anymore, at least not without some difficulty.
More soon. Would love to hear from religious book club members.
Edited to add: Honestly, I liked this book so much, especially because at first it seemed like it wasn't going anywhere, and I adored how specific and detailed Paul's observations of people and cars and things were, even when (in the case of mechanics and car parts) I couldn't visualize what he was saying. I was very impressed with how restrained and yet rich the writing was. And yet, at the end, I found myself just -- I don't know, hoping he would come to a different conclusion. I don't know why. I think it says much more about me than about the book, which is very intelligent and interesting. Stupid Reader Response experience.
Thursday, February 02, 2006
For the few
Interview with Charles Burns
Monday, January 30, 2006
That was quick
NOTE: Be sure to get the copy by John Green, not the book of the same title by Peter Jenkins. You want the book about Alaska the person, not Alaska the great wiiiiide wiiiiild whiiiiiiite way.
ADDENDUM: I just realized this book is set in Birmingham, AL; I'll let you all know if Green's representation of setting is accurate -- ie. sweltering and gross.
Saturday, January 28, 2006
I court not the votes of the fickle mob. - Horace
Okay, some explanation is in order.
First of all, Eunice's bribe did not come into my possession by the agreed time. As a result, Criss Cross is not on the list.
Really, though, I thought about it and with all the Newbery hubbubble, figured it would be somewhat difficult to get our hands on copies of the book. Library hold lists are long and even if you wanted to purchase a copy, bookstores are likely to be out of stock (if they carried it at all) and backorders will be in effect. So, I did the drawing as I normally do, no shenanigans, and Criss Cross did not pop up; it will remain on the wish list. Reardless, the books we are voting between look wonderful and I'm having a hard time deciding which to vote for.
Non-Amazon Reviews:
+ An Innocent Soldier at Arthur Levine and The Horn Book.
+ Looking for Alaska at Teenreads.com and at Reading Rants.
+ The Wish List at Bookmunch.
Thursday, January 26, 2006
News from Bloomers
Two important things to share:
1. She expressed, once again, how much she loved having us Simmons grads in her classes, what a good group we were, etc. She sends her love.
2. She's a Grandma!! At last! Wee Jacob came early, and healthy despite the earliness.
Wednesday, January 25, 2006
The Winners
Actually, the Horn Book ALA Awards site has nicer formatting and it explains each medal with a blurb.
Please feel free to add whatever looks interesting to the Wish List. I will set up a poll for March's book later this week.
A new award debuted this year, the Theodor Seuss Geisel Medal. It recognizes the best beginning reader books.
Winner:
Henry and Mudge and the Great Grandpas written by Cynthia Rylant and illustrated by Sucie Stevenson (Simon & Schuster Books for Young Readers)
Monday, January 16, 2006
Black Hole -- Interpretation, Fun Fun Fun!
-- Susan suggested an AIDS metaphor. I think that's a totally valid and important reading and I hope she says more about it.
-- I think this book works like Buffy (apologies for making a tv-reference, but it really makes sense to me) in that it takes quintessential adolescent experiences that usually only take place on the inside, playing out in a complex but invisible emotional landscape, and turns them into something physical. Feel like your boyfriend turned into an evil monster after you slept with him? Guess what, he really did! Feel like your overbearing mother pressures you to succeed because she longs for her lost youth, and that she'd switch bodies with you in an instant? Guess what, she really would! Because she's a witch! Anyway, I think Black Hole does the same sort of thing. Feel like you have a horrible skin-eating disease that makes everyone ostracize you? Guess what, you do! Feel like you're a monster? You are. Now what are you gonna do?
-- Other ideas?
A Hole That Is Black
• The characters seemed pretty consistent. I felt for Keith and his earnestness.
• I wanted more of a story that followed the beginning, middle, and end rules. Is the ending of Keith’s story (cuddling with Eliza in the motel, exchanging “I love you”s, and then he says “I’m gone”) and Chris’s story (floating in the water, alone on the beach) copouts for Burns? Do the endings mean anything? Do the readers deserve more? Do we deserve to know more about what happens to these two, what decisions they make regarding their future? They are both in limbo, in an unstable state, when we leave them. That might be purposeful (their whole lives are unstable), but I was curious to know more, to know how they survived and how they lived.
• The story jumped around a little too much. I think we could have seen some of the flashback scenes as they were really happening, instead of as they were remembered in a character’s mind. I think I could definitely tell that this was pieced together over a time period instead of written from beginning to end, as most novels. Also, looking back, I’m a little confused about the order of events. In the second “chapter,” Keith finds a female skin in the woods. In the third chapter, Chris appears to be living in the woods already and sheds her skin. But those events seem totally out of order (in the next chapter or two, Chris goes skinny dipping and doesn’t even realize she’s showing symptoms of the bug). Is this just a result of the piecing-together, or did I miss the significance?
• Even though it’s a graphic novel, it still needed to be proofread. There were misspellings (Rob’s last name is spelled two different ways), misplaced commas, missing commas, incorrect possessives (“it’s” instead of “its”), etc., that I found a little distracting.
• The whole book was extremely sexual, with all the vaginal imagery and the actual sex scenes. Even the slit in the frog’s body at the very beginning was extremely sexual. I’m sure the significance of the imagery is that “the bug” was passed through sexual contact, but is there more significance than that? Just that everything comes back to sex, to intimacy, to the human body? There was some phallic imagery, too, if I recall, but certainly not as much as the vaginal stuff (the cut on Chris’s foot that keeps coming back).
• Did Keith know what he was doing when he slept with Eliza? Did he realize that her tail was a symptom of the bug, or did he just think she was “different”? Was he so desperate for love/affection/belonging/getting laid that he willingly “caught” the bug?
• When Eliza was telling Keith how she came to live with those guys in the house and then have her artwork trashed (which she did herself), she was saying how she couldn’t bear to live with her stepdad for another year. So we hear about the different options she tried, including sleeping in the woods with friends. And then one frame shows her come across a guy strung up on a tree, dead (leading to her decision of not living in the woods). What was the significance of that? I had thought all the weirdness of the skeletal figures was that one guy (Rick – and they were probably harmless?) and all the murders were Dave. So did that murdered guy in the tree mean anything? Also, at the beginning of the book, the people around the campfire are talking about how that one girl Lana disappeared and how Roy found that arm. But that was before Dave was obsessed with Chris, so were there really other murders going on in the woods? If there was more than just what Dave did, I felt like I didn’t know enough about it and I was cheated a little bit.
• I found the AIDS metaphor pretty real and current today, with the alienation, the thought that it could never happen to you (the way Keith’s friends are making fun of the yearbook they find), the need to escape but yet not really being able to... Did it simplify the disease at all?
• Was the love between Chris and Rob real? Was the love between Keith and Eliza real? Were they all just desperate to find someone who would accept them, someone who would love them, someone who was also sick, someone who wouldn’t judge them, someone with whom they could escape?
I know that’s a lot to muddle through, but this book is a lot to digest. So I’m just throwing it all out there. Anyone care to pick up a topic and discuss?
Friday, January 06, 2006
Go Bloomers, go!
Here's the booktalk list. She must have listed them in the order she presented them, which must have been nice for her audience. Of course, one can only wonder what her segues could have been, because this list doesn't seem to have a useful order.
Enjoy, dears.
Transformations in Style and Content: Selected Children’s Books of Distinction in 2005
Banyai, Istvan. The Other Side. Chronicle.
Juster, Norton. The Hello, Goodbye Window. Illustrated by Chris Raschka. Hyperion.
Myers, Christopher. Lies and Other Tall Tales. Collected by Zora Neale Hurston. HarperCollins.
Grey, Mini. Traction Man is Here! Knopf.
Meddaugh, Susan. The Witch’s Walking Stick. Houghton.
Philobolus. The Human Alphabet. Photos by John Kane. Roaring Brook.
Woodson, Jacqueline. Show Way. Illustrated by Hudson Talbott. Putnam.
Lester, Julius. The Old African. Illustrated by Jerry Pinkney. Dial.
Lester, Julius. Days of Tears. Hyperion.
Nelson, Marilyn. A Wreath for Emmett Till. Houghton.
Barbour, Karen. Mr. Williams. Holt.
Sidman, Joyce. Song of the Water Boatman and Other Pond Poems. Illustrated by Beckie Prange. Houghton.
Rosen, Michael. Michael Rosen’s Sad Book. Illustrated by Quentin Blake. Candlewick.
Poole, Josephine. Anne Frank. Illustrated by Angela Barrett. Knopf.
Muth, Jon. Zen Shorts. Scholastic.
Say, Allen. The Kamishibai Man. Houghton.
Young, Ed. Beyong the Great Mountais: A Visual Poem about China. Chronicle.
Shulevitz, Uri. The Travels of Benjamin Tudela. Farrar.
Bartoletti, Susan. Hitler Youth. Scholastic.
Erdich, Louise. The Game of Silence. HarperCollins.
Lanagan, Margo. Black Juice. HarperCollins.
Zevin, Gabrielle. Elsewhere. Farrar.
Gerstein, Mordecai. The Old Country. Roaring Brook.
Birdsall, Jeanne. The Penderwicks. Knopf.
McKay, Hilary. Permanent Rose. McElderry.
Yancey, Rick. The Extraordinary Adventures of Alfred Kropp. Bloomsbury.
Perkins, Lynn Rae. CrissCross. Greenwillow.
Lynch, Chris. Inexcusable. Atheneum.
Partridge, Elizabeth. John Lennon: All I Want is the Truth. Viking.
Marsalis, Wynton. Jazz ABZ. Illustrations by Paul Rodgers. Candlewick.
Sabuda, Robert, and Matthew Reinhart. Encyclopedia Prehistorica: Dinosaurs. Candlewick.
Seeger, Laura Vaccaro. Walter Was Worried. Roaring Brook.
Jenkins, Emily. That New Animal. Illustrated by Pierre Pratt. Farrar.
Best, Cari. Are You Going to Be Good? Illustrated by G. Brian Karas. Farrar.
Bee, William. Whatever. Candlewick.
Agee, John. Terrific. Hyperion.
Girmay, Aracelis. changing, changing. George Braziller.
Votes are In
February's book is Full Service by Will Weaver, one of The Horn Book's Best Books of 2005.
Embarrasingly, the only other book on the list I've even looked at is Prehistoric Actual Size by Steve Jenkins, though I plan to read Hilary McKay's third Casson family book Permanent Rose and The Minister's Daughter by Julie Hearn. I may add one of those to the Wish List...
My copy of Black Hole arrived yesterday (along with the ReadyMade book, hooray hooray) and that is one solid chunk of a tome! Not as thick as Blankets but quite substantial. Can't wait to start.
Saturday, December 31, 2005
Aack!
To offset the Amazon bent, here are some other blurbs about the books from Teenreads.com:
+ Full Service
+ Going, Going
+ Zazoo
I'm looking forward to the new year and chatting books up with our two new members! (Can you introduce yourselves?)
Any thoughts on the best book we read this year? I have to say Outcasts of 19 Schuyler Place and So B. It top my list.
Monday, December 19, 2005
Boyz in da hood
I was surprised to like this book. I can't say I enjoyed it because it was painful to read about these boys. But that made it a good read. I was able to connect to Jesse (not so much Rise or Mason) and even his parents a little bit. I realized at the end that CJ and Rise are like Jesse's conscience, pulling him in either direction. And I liked that the whole time I knew which was the right thing to do, and I kept rooting for him and pleading for him not to go where Rise invited him. I like that I was able to connect with the characters, despite my complete removal from their situations.
I have a question: What was the purpose of the girl? (Was it Tania?) Character development? Attraction to the Rise course of action?
Wednesday, December 07, 2005
Should be a comment but it deserves its own post...
Tuesday, December 06, 2005
Meet Lisa
I also invited her because we live in the same house and it would be easy to share the books.
Sunday, December 04, 2005
January --
If you are using a library (and several of the systems Hedgehogs use own copies) get yourself on the hold list soon! Or track down a new/used copy through Bookfinder, Froogle or Amazon. Or, if you are lucky enough to live in a place with half decent bookstores, go buy one at your local independent!
Discussion begins January 15th and hopefully we will have some new voices!
Friday, December 02, 2005
Feelin' Newsy --
You'll need to spend some time there after visiting Citizens for Literary Standards in Schools out of Kansas. Yeah, because I always longed to teach How Green Was My Valley instead of dirty books like Fallen Angels. We don't want them reading ANYTHING interesting. Show me a kid who can make it through Moby Dick and I'll eat my hat. They also list Bartelby [sic] the Scrivener.
It strikes me as odd that Middlemarch is on their Best of the Best List (AKA: A whole lotta old, boring books) (okay, not ALL of them). It's on my to be read shelf -- and has been for YEARS; that is a brick of a book; I can't imagine assigning it -- but I watched a BBC version and I remember a lot of lustful glances artfully displayed.
From Wikipedia.org:
Virginia Woolf described Middlemarch as, "one of the few English novels written for grown up people"So there, Citizens for Literary Standards in Schools! Virginia knows what she's talking about!
Sleep Right!
Tuesday, November 29, 2005
Place your bets -

STEP TWO: THE POT

STEP THREE: THE WINNERS

Polling stations are open as of NOW and will remain so until the end of Saturday, December 3rd.
Vote now! Vote once! Click on the title to find out more about the books.
Wednesday, November 23, 2005
Clarification
In other words, how can we choose the January book? (January?! We've been around for a year now!) Pick a random sampling from the list -- maybe, four books? -- and vote on those? Take the two highest voted books and have those for the next two months?
That's what came to my mind. If you have another idea or agree with this one, please insert your assent/dissent here.
Have a delightful Thanksgiving!
Tuesday, November 15, 2005
Le Club de Geographie
I found this book enjoyable. Somewhat. To a point. Kinda.
I found the premise pretty interesting. A gay guy who thinks he's all alone. A group of pretty likeable gay/bisexual high schoolers who want a support group. The dynamics of high school (and you couldn't pay me to go back there).
But the book was just trying too hard for me. I don't mind that Russel is telling us the story—although truthfully I find that a little tired—but there were things that just seemed to be forced. "That's the principal, in case you don't remember." etc etc. He was too cutesy, too geeky but hip-geek, too cheeky with the reader, too I-don't-know-but-it-started-to-bug.
Things happened a little too quickly, without me as the reader seeing enough of the build-up or background. Russel's relationship with Kevin—I had no idea if they had met just that one night at the stinky picnic gazebo or every single night for weeks. I knew that Russel really liked Kevin, but I wasn't sure what was between them and how intimate—emotionally, physically—they had gotten. I wasn't too sure about Kevin in general. What was he really like? He seemed too stereotypical in the two faces he had—sweet when he was alone, a jerk when he was with "the guys." Also, when Russel admits to Brian Bund that he really is gay, I thought Russel was a little too comfortable with that. I didn't get the feeling that he was ready to be out, even if only to one person who was a social outcast.
I was also bothered how the book went to so much trouble to "foreshadow" the bad things that were going to happen. We were hit on the head with it, with the "and I didn't know how bad it would get" kind of idea. It's like we were set up for the fall, and then it happened in small annoying increments (the first time it was the article in the school newspaper, which didn't seem that bad). But the drama in the narrative was too much for me. And if that was because it was Russel saying it, then it's a little too stereotypical (gay drama queen) for me.
I liked that Hartinger picked geography for the club, given what he said about that on his website (the landscape of social groups in high school, all the different "lands"). But I did get a little sick of how everything fit so neatly. All the talk about the "Borderlands of Respectability" and the "Land of the Popular" and so on. I get it. Don't spell it out for me too much.
I picked up volume three of Michael Cart's Rush Hour (called Faces), and Hartinger has a story in there (I think it might be an excerpt, not a short story). I wasn't able to finish it, but it seemed very different from this narrative voice. Wasn't trying as hard. Has anyone read that or anything else by Hartinger?
So I have to say I wasn't overly impressed. Yeah, it's a good idea, and we need more literature out there addressing gay teens, but I just didn't think it was terribly well written. A fine effort, especially for a first novel, but I wasn't bowled over.
Thoughts?
Saturday, November 05, 2005
Igor, go fetch --
The little photos to the left of the column ("inside" the lobes) are hilarious, plus read the bottom of the Where I'm Going lobe.
He's also got a LiveJournal.
Bookslut covers his books (including Geography Club and the sequel The Order of the Poison Oak) here.
*** Just to share my pain, my sad local library "system" has three copies of The Order of the Poison Oak. This sounds good, but someone please explain why they have NO copies of Geography Club and my book had to come from a university library three and a half hours away!
Tuesday, November 01, 2005
Coupla Questions
If yes, then:
1.a. Should we invite more members or are you fine with the people we have?
1.b. Do you want to have a theme for each/some month(s) (award books, sex, books from other countries, drugs, etc.) or keep it random and free-flowing?
1.c. Do you want to pick all the books out for the YEAR at once or vote monthly/bimonthy?
2. Furthermore, if your answer to question one (1) is, "YES, DAMMIT!" then would you be open to a project? No grades, no percentages (and you will get a sticker and/or gold star for participating) and you get a head start.
Sound good?THE PROJECT:
Sometime (or multiple times) during the months of November and December get ye into a bookstore, library or some other printed word source (online, etc.) and BROWSE the Teen/Young Adult/Children's section. Jot down (doesn't that sound fun -- jotting?) 3-5 titles (including authors) that make you go, "Hmmm. That looks mighty fascinating!" (NOTE: Don't say this aloud unless you want the bookstore employees talking about you.)
Don't worry about other people having read it before*** or the Literary Quality of the book; just find something you'd like to read! (Bonus points for books that are in paperback and therefore more easily picked up.)
In early January, if ye be willing to be reading, we'll have a hoo-ha and figure out what to do with the suggestions (dependent on 1.b. and 1.c..)
***Okay, I don't completely mean that. Don't pick something like Charlotte's Web or Charlie and the Chocolate Factory. In fact, avoid Classics. Try to stick to something more recent and, dare I add, Cutting Edge.
Feedback?
Monday, October 31, 2005
Wednesday, October 26, 2005
Pretty...
P.S. It'll tell you that only IE.6 and Firefox are supported, but my Safari1.3 seemed to work fine.
P.S. Swiped from Boing Boing.
Tuesday, October 18, 2005
Sunday, October 16, 2005
So B. It
First of all, I liked Heidi. She's smart without knowing it, and sensitive and logical, but almost friendless. It's an appealing innocence and purity mixed with an unusual self-confidence. Heidi is admirable.
I also enjoyed the writing. Words were chosen carefully. There was foreshadowing and imagery. Everything I read had a purpose; there was no filler. I especially liked how Heidi would hear soof wherever she went.
Probably the least noticeable but most pleasant thing about the book is that none of the characters annoyed me. This happens more than it should. It seems like the popular thing to do lately in both books and TV is to create quirky characters. Most of the time, the quirky is fun and interesting, but sometimes it's taken too far. Too much quirky becomes cliche.
It was simple, entertaining, and meaningful. I really enjoyed it. I think it's the best book we've read so far.
Saturday, October 15, 2005
Next Focus --
+ Autobiography of My Dead BrotherPlease vote for two! Vote now! November is almost here!
+ Geography Club
+ Looking for Alaska
+ Popular Music from Vittula
+ Walter Canis Inflatus : Walter the Farting Dog, Latin-Language Edition
Monday, October 10, 2005
YAWP!
I was going to put up a poll but I think I know what the ratings would be...
The main point of this post was to solicit suggestions for November. How about something that is about a male main character?
Discussion for So B. It begins the 15th! Sarah Weeks, the author, has a website.
Monday, September 19, 2005
A Great and Terrible Beauty
I seem to say this about everything we read but -- generally I liked the book, but there were also some glaring FIRST NOVEL!!! errors in my eyes, enough so that I may not care to read the sequel, Rebel Angels.
Gemma's sense of humor is hilarious. But that is also part of my problem with the story -- Gemma's personality and sense of humor is modern. I'm all for "girls who do things," as Robin McKinley says, but this sounded like a bunch of high school girls from down the street dressed up in Victorian clothing, mouthing 21st century ideals. This isn't a bad thing in itself, and I can usually overlook it in books, but it distracted me, brought me out of the narrative. That is BAD.
Bray did an excellent job capturing the power struggles of the girls within their friendships, and their especial cruelty, as in the escapade with Pippa's new gloves and who gets to wear them. Later on, despite herself, Gemma is glad when Felicity chooses to stay instead of walking to Pippa. We want friends, we want to be chosen.
THE REALM.
First, that's a dumb name. I'm sorry; it's just stupid sounding. Better to call it Virtual Reality World! Motto: Why would you ever leave? The girls get addicted to it. Power corrupts... And the whole transference of power that allows them to bring it out of the REALM is never explained. It is instantaneous, too easily achieved and used recklessly. It was not earned. This is cheating and stinks of juvenile wish-fulfillment and a cop-out on the behalf of the author.
I don't know if it's because A Great and Terrible Beauty is a first novel (though the author has written plays and short stories) (those are different creatures) or just a miss on the editor's judgement, but the obvious leadup to Gemma's noticing the missing photo (pg 326 in my TPB) was HORRIBLE. Don't spell things out! Don't TELL the reader; show them! Gemma goes on and on about noticing smudgy bits on the walls: "Funny how I never noticed that before," "So much I haven't noticed," "But it's a night for seeing things for the first time." Awkward, creaky and OBVIOUS. Get it over with and notice the missing photo already!
There is a lack of orginality in some of the plot twists. Mary Dowd is Gemma's mum?! No way! The cool teacher is dismissed?! Bastards!
My final criticism is on the poor blocking of the scenes with the monster/Circe?/mother? at the end. I don't understand what happened or how they escaped. Overall, it was obviously set up for a sequel (series?). I don't know. Maybe it's just overkill of the "We are girls with magic powers and we kick ass and look cute at the same time! Yay!" and there seems to be so much of that out there right now.
Eunice, didn't you do a paper in YA about secrets? I kept thinking back to that all through this book -- how secrets are powerful.
PS - The girls' meeting in a cave SO reminded me of Dead Poets Society.
Wednesday, September 07, 2005
SE Hinton Interview on the NYTimes
Did you know S.E. stands for Susan Eloise? Such a Soc name.
The Outsiders movie is being re-released, in a new director's cut that is supposed to be truer to the book. (and if you haven't read the book or evor seen the movie, there is a MAJOR spoiler in the above article, so beware!)
Stay gold, guys, stay gold.
Wednesday, August 31, 2005
Cooler Than We
Hooray for Dawn and her crusade for healthy depictions of sex and female sexuality in YA books! And hooray for her first novel being finished -- see what I mean about inspiration?
Monday, August 29, 2005
yay

I'm not intending to read it - don't need more tales of environmentally-minded children in Florida trying to thwart a wrong (casino boat operator dumping sewage into the ocean) being done. Foibles. Nutty-but-lovable characters. Etc.
But don't let me stop you.

I understand people are clamoring for more pigeon books, but I think the originality was spent in the first and any follow-ups are going to be disappointing.
Monday, August 15, 2005
And let ye opinions be made known!
Before you comment on my blindness, please know I thought the story would focus on foot-binding, and kept waiting for the part when Xing Xing's feet would be tied up. Ah, Sarah, there are more ways of being bound.
Did Xing Xing seem younger than 14 to you?
I loved the poetic bits and found the lyrical style evocative of Xing Xing's world.
But what happened at the end? Mr Suave Prince sweeps Xing Xing off her feet? What? It seemed forced and unconvincing, like all of a sudden she was a different person. Did Napoli end it that way just to keep the Cinderella tale complete?
Wednesday, August 10, 2005
LAST CALL - VOTE THURSDAY!
One suggestion: A Great and Terrible Beauty by Libba Bray; it is her first book. She combines a bit of fantasy (just a bit, Susan!) with a Victorian-era setting and some Gothic touches. And I love boarding school stories.
Also, The Truth About Forever by Sarah Dessen. She's gained a lot of popularity in the past few years and I'm curious to see if she's any good.
What else?
Tuesday, August 09, 2005
Wednesday, August 03, 2005
FLB
She kinda looks like Anjelica Huston on heroin.
Friday, July 29, 2005
Wednesday, July 20, 2005
A brush with Bloomers!
Meera is married!!! What a gorgeous day filled with gorgeosity. And such.
NEWS ITEM NUMERO DUE:
Kristin's Old! Happy B'day K-Diggety!
NEWS ITEM NUMBER TRES:
Sarah and I visited with everyone's favorite Bloomers today! For all of you NOT joining the Sinstitute/Imposium (um, I guess that's everyone except me), you may still be excited to know the following tidbits:
1. There will be hand-printed napkins. (We got a preview - the Artist's Proof, if you will.)
2. Brendan Fraser will not be appearing. You find this information confusing, if not unnecessary and unrelated? Oh, WE got the story. That's right. Uh huh.
But he's not coming.
3. Tobin Anderson IS coming! Sweet mother of Handel! I'll have to put the moves on him! (Yaaawn... stretch... and now I'm touching you.)
Bloomers herself is in fine form, despite finding out that she got her last paycheck EVOR in June and isn't getting a cent for all the incredible work she puts into the Sinstitute. Of course, they couldn't keep her away with Bloomers Repellent, if anyone were stupid enough to make such a product.
Monday, July 11, 2005
Let's play a game.*
"Ask her if she still keeps all her kings in the back row."
*This is just a lame excuse for a post. I really have nothing literary to say, but the title of the previous post (with the poll) comes in and out unless there's a post after it, so that's what this is.
Saturday, July 09, 2005
Break?
Saturday, June 25, 2005
Dissent in the ranks
2005-Coretta Scott King HonorWhy is this book so acclaimed? Does it merit this recognition? Most of these are not outright awards, instead listing Fortune's Bones as a recommended title. Hm.
2005-Books for the Teen Age — New York Public Library
2005-Notable Children’s Books — American Library Association
2005-Capitol Choices: Noteworthy Books for Children
2005-The Lion and the Unicorn Award for Excellence in North American Poetry
2004-Editor’s Choice — Kirkus Reviews
2005-YA Top Forty 2004 titles — Pennsylvania School Librarians Association
2005-YA Top Forty Nonfiction 2004 titles — Pennsylvania School Librarians Association
Gay-themed library exhibit prompts ban
Gah.
Also, there's a mother in Arkansas who Demand[ed] Removal of 70 Titles in the school's library collections.
I need to start finding articles dcoumenting success in THWARTING such acts.
Thursday, June 23, 2005
Tuesday, June 21, 2005
Disney princesses make me barf
Monday, June 20, 2005
Venturing Forth
The illustrations & images particularly brought this book together for me. The book is physically beautiful with pleasing design: cover, music sheet endpapers, poem on right - illustration on left, the concept of the poems as a requiem in vocal parts. That was all good.
The poems themselves didn't blow me away. Fortune's story is fascinating (I think I enjoyed the non-fiction, left page bits more than the poems themselves), and as I said above, I like the idea of the requiem, but most of the poems seemed overly simple, even awkward in parts.
I call a hey, Luigi, come-a quick:What's with that? It makes me think of some bushy-browed pizza man dressed like one of the Super Mario Bros. exclaiming over Fortune's skeleton. Mamma mia!
The parts I read from Nelson's Carver: A Life in Poems at Simmons, struck me as being more sophisticated. It seems that a lot of thought and care went into Fortune's Bones (Author's Note, research involved, notes, requiem structure, the museum itself) but I was left wanting in the poetry department.
See Fortune's Story at the Mattatuck Museum, if you haven't already.
Tuesday, June 14, 2005
Susan, this one's for you!
Do we have a book discussion starting tomorrow? Yes! Have I read the book? NO! Did I, in fact, suggest the book? YES!
Monday, June 13, 2005
Saturday, June 11, 2005
Make Way
Thursday, June 02, 2005
Since we are reading Marilyn Nelson -
After 50 Years, Emmett Till's Body Is Exhumed.
Bye Bye Buffalo Tree
furor.
I liked it a lot, as I recall. But it's pretty harsh. Almost Clockwork-Orange like, in fact. I guess I can see how some people would object to it being taught as a classroom text, and I don't see anything wrong with it being available to kids in class libraries, so those who want to read it can find it. I guess I'd prefer the decision not to teach it to be left up to the teacher, though -- not the school board.
Monday, May 23, 2005
I'm Back From the Dead
So I really only have three complaints:
1) I feel like all of the cool, weird adults in her books are the same person (possibly her). And I don't really buy the way they talk, so I could perhaps believe in one of them, but not several in the same title. Peter and Loretta sounded way too similar to me -- probably why they got married, I suppose.
2) Speaking of marriage -- were there any clues that M.K.R.'s parents were ending theirs? I hate that kind of emotional surprise, but maybe I missed the foreshadowing (read this book in one sitting).
3) Way. Too. Much. Information at the end. This really isn't a long enough book to justify going into excruciating detail in an epilogue about every character and what they ended up doing, and I definitely don't want to hear my narrator become an adult when she was already interesting enough as a kid. Should have quit while she was ahead.
But! We are doing better at choosing books! I hope this trend continues. ;-)
Monday, May 16, 2005
19 Schuyler Place
First-rate characterization.
- - - - - - - - - - - - - - -
[edited to add longer version]
You know, I fell in love with Margaret Rose. I think I'm inclined to admire-adore down-to-earth intellectuals, the sort of people with odd bits of trivia in their heads. These are the sort of people I like best in real life. This is the kind of person I want to be.
***NOTE: I would have thrown a BIG fit over the bedwetting issue, getting all excited (enraged) and yelling and (maybe) even (okay, probably) throwing things. I would have shown the inept counselor my dry pajamas and screamed the cabin down.
*****ANOTHER NOTE: Yes, I know this book wasn't all about me. I'm just reflecting, pensively.
The uncles are lovingly crafted.
Pg. 112: I spit on digital clocks/watches, too, Morris.
Love the wordplay: areasonable, anobedient, etc.
Verdict: Well-told, moving, concise, intriguing on many levels. I really enjoyed it! Didn't realize until end that the cover is the painting on Margaret's ceiling, with one corner left undone. Are those the shadows of the towers criss-crossing the rose?
Sunday, May 15, 2005
Voting Booth Closed
+ + + + Looks like Fortune's Bones for June and Bound for July. Alrighty?
Thursday, May 12, 2005
June
That's me. To make up for my woeful silence on this month's book. (My verdict: Cool.)
Wednesday, May 11, 2005
Feedback
Bound: looks v. interesting; fairy tale w/o the fairy, seems to remind me of Jane Yolen's Briar Rose with the combo of fairy tale and real life.
The Mount: futuristic sci-fi suggestion for the month of June.
The Race to Save the Lord God Bird: biological non-fiction, for some reason this doesn't really pique my interest (perhaps b/c I've been using the Rumpus as an escape from science, thesis, etc.)
The Voice that Challenged a Nation: tidbit of trivia--James DePreist (Director of the Oregon Symphony among others) is Marian Anderson's nephew.
Our choices have somewhat centered around activism...wellm Hoot and Outcasts anyway. Perhaps the non-fictionophiles would like a break from all these imaginary stories.
Monday, May 09, 2005
By the by
This Wednesday there's a retirement party for The Illustrious Susan P. Bloom at Simmons. Meera and I plan to go, and I promise to do my part to report back on the type of cheese served as well as whether the napkins are store-bought or hand-printed. As this is a party in honor of Susan, those unfamiliar with the small world of Simmons will perhaps assume that Bloomers will relax, revel in the glory of a career well-managed.
I'm counting on the excited-dog action, myself.
Wednesday, May 04, 2005
Your friendly guide to the Sinstitute/Imposium
So lookee lookee lookee.
There are a few nonfiction things to look at, as well as Marilyn Nelson's poetry masterpiece. We don't necessarily have to choose a recent book of any of these authors, either. Just thought we could draw on the guest speakers as inspiration.
Any thoughts?
Saturday, April 30, 2005
GET YOUR SUGGESTIONS IN FOR JUNE!
Is anyone up for some nonfiction? I read v. little of the stuff, but would like exposure to more. Russell Freedman's Marian Anderson book, The Voice that Challenged a Nation, was well-received. And there's been lots of hoopla over The Race to Save the Lord God Bird because an ivory-billed woodpecker was just discovered in Arkansas; they've been thought extinct for sixty years.
On the fiction side, Carol Emshwiller's The Mount (first two chapters online and/or the Amazon link) was recently released as a YA book; it's supposed to be great stuff. I've read her Carmen Dog and give it multiple thumbs up.
Ideas?
+ Bound by Donna Jo Napoli
Sunday, April 24, 2005
Elizabeth is a Smartypants
Friday, April 22, 2005
Claudia'd kick your ass!
But I still enjoyed it -- the characterization was excellent. I liked how Calder and Petra were weird and cerebral but not too much so. And they weren't twee. I liked how they were passionate about something other than video games or sports. I liked Petra's triangle hair. I have had triangle hair. It sucks.
The complete lack of logical explanation threw me. Lots of things "just happen" to Petra and Calder, through dreams and divination and superstition - random, convenient and completely inconsequential. How nice for them! I was left feeling like they didn't SOLVE anything; they followed wild guesses which were justified ("explained") by Balliet's including Charles Fort (of Fortean Times fame) and the gimmicky pentominoes. Because, you know, if you want something bad enough, it will happen!
Where's the LOGIC? The MEANING? I think Konigsburg's Claudia and Jamie could run circles around Petra and Calder. I'd like to see the four of them compete on Jeopardy! or something. Who can identify the real Raphael? Huh? Huh?
And what's with the Bette Davis referral on page 190? What 6th grader knows about her?
With all the hype, I expected more.
Wednesday, April 20, 2005
Utbay hatway appenedhay otay rogfay?
Okay, so my main question is - because maybe it's simple and I just missed it and y'all can fill me in - What the hell happened to this Frog kid? Did we find out why he went to DC?
And can I point once again to The Crying of Lot 49 which seems, somehow, like an answer to this book's love affair with coincidences and unfounded intuitive decisions? Does anyone know what I'm talking about? You know, just like the French, they like totally would know what I'm talking about, y'know? Like? (I am the worst Puerto Rican/Catholic/Army brat ever, according to myself... hint hint.)
Is this thing on? Test... test...
Friday, April 15, 2005
Monday, April 11, 2005
Misc Chasing Vermeer Sites
+ Caillebotte's Rainy Day.
+ Vermeer's The Geographer.
+ The Lady Writing also by Vermeer.
++++ The Geographer and The Lady can also be found under the dust jacket on your books. Of course, I didn't find that out until I'd finished the book and looked the images up online.
Has anyone seen his work in person? I don't think I have.
Discussion opens Friday!
Sunday, April 03, 2005
Another Golden Age?
The major turning point in children's literature was the publication of Alice in Wonderland in November 1865. The crux was that Carroll made the child central to the story, rather than the adult. A rule was broken, a new law established, and a first golden age of children's literature was inaugurated, ending, critics generally agree, in the late 1920s with AA Milne's Winnie-the-Pooh.
I don't fully buy that - Alice in Wonderland being a law-breaker. Different and new, yes, but... Does anyone remember what the "first" children's lit book was?
Blue Balliett (Lyn would be proud)
Ms. Blue Balliett is a teacher turned author who wrote Chasing Vermeer for her students, wanting something further in the line of From the Mixed-Up Files of Mrs. Basil E. Frankweiler. I'm curious about how the two compare; Mixed-Up Files is a classic. Chasing Vermeer is her first book but she's working on others.
I also want to know about her first name - is it is a pseudonym?
If you are interested in reviews, (I avoid them for fear of spoilers) here are a few:
+ KidsReads.com
+ The Star Online
+ Amazon Editorial Reviews